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Tá an t-albam a chruthaíodar beirt Spores ar fáil anois ar Trace.
Tá an t-albam a chruthaíodar beirt Spores ar fáil anois ar Trace.
Ag trácht dó ar na deacrachtaí a bhaineann leis an ligean i ndearmad, deir Peter Quinn: ‘Even amnesia, the absence of rememberance, cannot erase the trace of the past.
Deir Breathnach: ‘Over a period of about thirty years we find a trace of a Curnán or Cornán Óg, who is also called Father Pádraic Ó Coirnín....
‘No trace of the Castle now remains, but a green patch on the mountain side marks the site’ (O’Sullivan).
I like to trace ambiguities, paradoxes and complications in social and historical developments with the result that I tend to stress that to be Irish living in the island of Ireland can be variously analysed, identified or felt without making you any less Irish for that.
Dílis do phailéad sonach an togra úd, gluaiseann an dj-mheascán Fabric Live 91 go máistriúil ó cheol ambient techno (Aleksi Perala, Caustic Window) go electro (Dexter, Plastician, Dj Stingray) go tréancheol druma & doird (Dillinja, DJ Trace) roimh thuirlingt go bog le ceol atmaisféarach gan bhuillí ó leithéidí Carl Craig agus Abul Mogard.
Baineann ‘Peace of Mind’ le Claro Intelecto agus ‘Audax Powder’ le Polygon Window (Aphex Twin) drithlí as a chéile, is leathnaíonn Woolford ‘Stereo Music For Serge Modular Part 2’ le Keith Fullerton Whitman amach thar dhian-bhuillí ‘Monkeys’ de chuid Dj Trace & Nico chun méadú scanrúil ar bhlas an uafáis a chruthú.
MAY HE REST IN PEACE AMEN.” That this is the resting place of Éamonn de Bhál can hardly be doubted: the surname is rare in this part of east Cork (we cannot trace any other family of the name belonging to this area except that of the poet) and it is obvious from the dates of his compositions that he died in the sixties of the 18th century.’ Tá seo le rá ina thaobh ag Breandán Ó Buachalla (Aisling Ghéar: Na Stíobhartaigh agus an tAos Léinn 1603-1788 1996): ‘Bíodh gur scríobh Éamonn de Bhál breis agus daichead amhrán, is deacair teacht ar amhrán ina measc a bhféadfaí a rá gur saothar follasach polaitiúil é.
Ní maith le haon duine a admháil ná fuil ann ach deisceabal ach sa chás seo níl aon dul as agam; ná ní theastaíonn dul as uaim.’ Ba chuimhin le hEoghan Ó hAnluain an dlúthghaol sin a thabhairt faoi ndeara in uimhir 1950 de An Síol mar a bhfuil aiste ag an seanollamh ar dhán le Tadhg Dall Ó hUiginn agus aiste ag an scoláire óg ar Sheán Ó Ríordáin: ‘What is remarkable about these two essays is that one can trace the influence of Corkery on Ó Tuama quite clearly – Corkery’s a close and intimate reading of a text, not as was the traditional approach, with examining the external forms of syllable count and correct rhyming, but rather that inner dynamic which gives a worthwhile poem its distinctive artistic quality and human appeal.