#1016289
Táim ag tagairt don fheiniméan ar a nglaotar “willing suspension of disbelief”.
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8 dtoradh in 7 ndoiciméad
#204520
Ní suspension of disbelief atá i gceist níos mó ann ach an tsamhlaíocht ghníomhach a chur ar fionraí, agus tá sé costasach.
#631224
This was the first big occasion in the west when expression could be given to the feeling of relief at the suspension of hostilities.
#869508
Nach féidir linn leathnú beag a dhéanamh ar an nóisean seanfhaiseanta sin is bonn do chleachtadh na drámaíochta, ‘suspension of disbelief’.
#1318876
Chuirfeadh an ‘willing suspension of disbelief’ a bheadh ag teastáil ualach ró-mhór ar dhea-mhéin an léitheora.
#1016295
I bhfocail Coleridge “...yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of the imagination that willing suspension of disbelief for the moment, which constitutes poetic faith”.
#1445748
Ní hionann “foghlaim” na filíochta agus foghlaim foirmlí matamataice ná táblaí de bhriathra neamhrialta, agus murab ionann is na scileanna teoranta cumarsáide teanga a theastódh le builín a cheannacht sa siopa nó fiú do phionta a ghlaoch Tigh Khruger, Tí Hiúdaí Beag nó Tigh Mhaidhcó, éilíonn an fhilíocht samhlaíocht intleachtach nó intleacht shamhlaíoch, réimse braistinte íogair agus cumas cealaithe an díchreidimh nó ‘willing suspension of disbelief’ cáiliúil sin Choleridge.
#1072243
Míníonn Art Ó Briain (Rúnaí Chonradh Londan) an fáth ar tháinig deireadh léi (3): ‘Amongst the important reasons which have led to the suspension of the paper is that we have not, and have not had for some time, sufficient workers with enthusiasm and initiative to keep this or any of our other activities going with success…’ D’fhoilsigh Conradh na Gaeilge Guth na nGaedheal den chéad uair sa bhliain 1904, agus in eagrán na Nollag 1904 de Inis Fáil deirtear an méid seo a leanas faoi: ‘‘Guth na nGaedheal’, the Book of the Samhain Festival, contains, in addition to the songs, special contributions by Conán Maol, Pádruic Ó Conaire, Mícheál Breathnach, ‘Lámh Láidir’, as well as the text of ‘Cuairdna (sic) Bainrioghna’, which was played at the Ladbroke Hall, Holmwood, and Forest Gate by children and adults of the Kensington School.